We all have flaws, but our characters especially should have some, because what fun is there in reading about someone's perfect life? *grin*
Since our MC's have a defining virtue, should they also have a defining weakness? What if their weakness is what causes some of the main conflict in the story? What if the weakness is in direct opposition to the MC's virtue? The characters must have something to struggle against, a temptation or a sin, as well as an outer conflict.
What's your MC's biggest weakness? How does it define him or her? Does it propell the story? Do your characters ever fight the same kind of vices you do?
After reading the Seekerville post on Moral Premise, I signed up for Natasha Kern's ACFW conference class, Vice and Virtue. Wondering what she'll talk about is turning the wheels in my head and give me some blog fodder.
I've been horrible. But it's a new year and that will change. It seems like blogging in general is going through some changes but it's my first choice still so I'll be keeping at it.
My manuscript is submitted!! Complete with synopsis and query (so hard! blech). Now I'm faced with two choices: Begin my next WIP or take a manuscript that is already done but has been rejected by traditional publisers and test the waters of self-publishing with it.
Speaking of publishing, two lovely ladies have wonderful news.
Heather Sunseri has a book coming out soon called Mindspeak. The cover is spectacular! If you like YA, you might want to check this out.
Also, Susan Reinhardt just announced the sale of her first book (and the acquisition of an agent)!! Go, Susan!!!
How is your January going? What choices do you face today? Any awesome news to share?
I just saw the movie The Proposal and I really loved it. There were a few shocking scenes but otherwise I was laughing throughout the entire movie. And feeling teary during some parts too.
In so many ways, this movie was formulaic. It stuck to the romance formula with some wonderfully spunky dialogue. There were several plot points that I could identify and I could even wedge the characters into their "types".
Yet, I really, really enjoyed the movie.
In a romance, the reader has to wonder how the two main characters will ever overcome their issues and hook up. This movie epitomized tension. I KNEW they would end up together, but the beginning conflicts were so strong I didn't know how.
But I allowed myself to get involved and to enjoy the relationship because I knew that, in keeping with a romance, these two would fall in love and live HEA. :-)
Do you write "formulaic"? Is it a box to you, or a safety net?